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So, it was five of us and we did the Backstreet Boys, of course, because That they were going to do a talent show and I was like I want to be a part of Nineteen-no, like I remember my friend Brian Cruz was talking in the hallway People have been saying the record sounds like me, which I like. Of the album will have Eddie’s laugh at the end or some shit to tie it in. Shit if that looked better with the track list. Like, it would've been called Adam Sandler or some Looks from a graphic design perspective? Like the typography of his name? Named after somebody, I don't know why, and Eddie Murphy looked good with the "If you want to act funny, I can act funny too.” I just wanted a song Like a bus will pass and I'll see a phrase I like and I'll write I wanted theĮxperience of making the EP to be happy and fun so I have a good memory with Performers ever. I wanted the record to be collaborative. You fucking kidding me? I didn't think in a million years. I’m from New York-I had toĭo something that was going to sound straight hip-hop-on the beat at least. “Eddie Murphy” is a very Gang Starr / Nas throwback. "Not Ya Nigga," I wanted it toīe a Ja Rule moment, where you have a person answering you-Cakes Ĭomes on and he's like bro, you're not going to play me. My homage to Lily Allen cause you know that song “Smile”? I literally wrote The melodies on the verse were Spice Girls-y. When I DJ, sometimes I can't pay attention to people who are right here because then I'll play to them, so I'll look really far out to see if those people are dancing. No, when I’m playing a party I'm playing things that are going to get people pumped up and happy. Is the same true for DJ’ing that it’s harder to DJ a happy set?
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But I wanted all of the sad moments to be kind of sarcastic. I had to put that moment in because I'm a Gemini. It's funny because I feel like the album sounds happy, but then some of the lyrics, like when you repeat “I Can’t do Anything Right,” are a bit sad. Like what the fuck am I going to talk about? I don't know what to talk about when you're happy. That's basically what this project is: a challenge to myself. I always ended up producing sad stuff-it's so easy to make sad music, and so hard to make music that is happy. I've been making music for a long time, like before I started DJing. Even the EP is hip-hop through a pop lens. I think at the root of everything I do is pop, pop, pop, pop music. Do those two identities share space in your mind? Skype Williams the DJ sounds very contemporary, while Skype Williams the producer-rapper-singer sounds like more of a throwback to the eighties and nineties, with elements of funk. Make happy music, collaborating with his idols, and cosplaying a Backstreet Boy Following his release on June 1st at The Standard,Įast Village’s NO BAR, The Standard spoke to the artist about how hard it is to Laidback, and fun-with Jackson sounding like Biz Markie cosplaying the sixthīackstreet Boy. The sonic equivalent of lemonade dripping down your chin at the roller rink-breezy, Through the prism of old school hip-hop and studded with elements of funk. So is “Sorry I’m Late.” The record’s five songs are pure summer pop, refracted Papi Juice? It sounds like a gay porn, I have to go,” Jackson exclaims. “When I first heard of Papi Juice I was like What the fuck? Playing manic pop sets-a sped-up version of Ariana Grande’s “No Tears Left toĬry” comes to mind-at parties and institutions like Bubble_T, MoMA PS1,Īnd Papi Juice. He made a name throughout New York as Skype Williams, “I was so afraid ofīeing found out.” Instead of rapping, Jackson pivoted to DJing, which allowed Gay,’" Jackson recalls, thinking about his family in Queens. Interview about his music, “I was like, ‘I kind of can't do it because I'm In hisĮarly twenties, when Interview Magazine requested a photo to accompany an To some of that straight shit almost derailed Jackson’s music career.
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His father left him the most straight shit ever.” Water buffalo juts out of the middle of the gallery floor, which the artistĭominic Nurre inherited from his late father… “Because the artist is gay and “It's basically aĬommentary on masculinity,” Jackson says of the massive head of a taxidermied Rapper-singer-producer whenever he finds the time in between. Hyphenate: downtown gallerina-curator by day, DJ by night, T-shirt under a black suit, with green Nikes, he looks every bit the multi Story!” Jackson exclaims, when I meet him at Fierman, the small contemporaryĪrt gallery he manages on the Lower East Side. Was very drunk, which I know because shortly after arriving he In his defense, it was New Year’s Eve and he York native born Tony Jackson Jr.-through a mutual friend at a dinner four Is called “Sorry I’m Late,” which is funny because the first time I met the New
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